{"id":8722,"date":"2015-07-14T14:01:56","date_gmt":"2015-07-14T18:01:56","guid":{"rendered":"http:\/\/spec.lib.miamioh.edu\/home\/?page_id=8722"},"modified":"2015-07-17T11:38:16","modified_gmt":"2015-07-17T15:38:16","slug":"nawpa-directory-a-c","status":"publish","type":"page","link":"https:\/\/spec.lib.miamioh.edu\/home\/nawpa-directory-a-c\/","title":{"rendered":"NAWPA Directory: A-C"},"content":{"rendered":"

\"NAWPA<\/a><\/p>\n

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Arkeketa, Annette<\/h4>\n<\/dt>\n
Otoe-Missouria Tribe of Oklahoma and Muscogee Creek<\/dt>\n
Plays in the Archive<\/dt>\n
Hokti<\/strong> HOKTI has been performed by the Tulsa Indian Actors’ Workshop, Tulsa, Oklahoma, and the Thunderbird Theatre, Haskell Indian Nations University, Lawrence, Kansas.<\/dd>\n
Ghost Dance: Play<\/strong> In the summer of 1999, the actors from the Tulsa Indian Actors’ Workshop (TIAW) read GHOST DANCE. Elizabeth Theobald conducted TIAW’s 2000-2001 workshop and directed the production by TIAW in their 2001-2002 production schedule.<\/dd>\n<\/dl>\n
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Baker, Marie Annharte<\/h4>\n<\/dt>\n
Salteaux Ojibway<\/dt>\n
Plays in the Archive<\/dt>\n
Cannibal Woman Camp Out<\/strong> (2007, typescript, 10 pp.) One Act. 6W.<\/dd>\n
Other publications<\/dt>\n
Being on the Moon: Poems<\/strong>. Winlaw, BC: Polestar Press, 1990<\/dd>\n
Exercises in Lip Pointing: Poems<\/strong>. Vancouver: New Star Books, 2003<\/dd>\n
“Lousy Woman.” In Performing Worlds into Being: Native American Women’s Theater<\/strong>. Ed. Ann Elizabeth Armstrong, Kelli Lyon Johnson, and William A. Wortman. Oxford, OH: Miami University Press, 2009.<\/dd>\n
Albeit Aboriginal<\/strong> (play)<\/dd>\n<\/dl>\n
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Borst, Murielle<\/h4>\n<\/dt>\n
Kuna, Rappahannock<\/dt>\n
Plays in the Archive<\/dt>\n
More Than Feathers and Beads<\/strong> (typescript).<\/dd>\n
Other publications<\/dt>\n
“More Than Feathers and Beads.” In Staging Coyote’s Dream. Vol. II.<\/strong>. Ed. Ric Knowles and Monique Mojica. Toronto: Playwrights Canada Press, 2009.<\/dd>\n<\/dl>\n
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Cheechoo, Shirley<\/h4>\n<\/dt>\n
Cree<\/dt>\n
Plays in the Archive<\/dt>\n
Your Dream Was Mine.<\/strong>, with Greta Cheechoo, 1994.(typescript,56 pp.) One act. 2W 1″Woodpecker”.<\/dd>\n
Other publications<\/dt>\n
Path with No Mocassins.<\/strong> 1991<\/dd>\n
Tangled Sheets<\/strong><\/dd>\n
Ocamow<\/strong><\/dd>\n
Nanabush of the 80s<\/strong>, with Alanis King, Ken Charolotte.<\/dd>\n
Feather Leaves<\/strong><\/dd>\n
Respect the Voice of a Child<\/strong>with Billy Merasty.<\/dd>\n
Shadow People<\/strong><\/dd>\n
Nothing Personal<\/strong>, with Alanis King.<\/dd>\n
Bear Woman<\/strong><\/dd>\n
Emergency<\/strong><\/dd>\n
Listen to the Elders<\/strong><\/dd>\n
River of Life<\/strong><\/dd>\n
Hockey Moms<\/strong><\/dd>\n
Playwrights Union of Canada<\/a><\/dd>\n
Agent: (416) 408-3304<\/dd>\n<\/dl>\n
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Clements, Marie<\/h4>\n<\/dt>\n
Metis<\/dt>\n
Plays in the Archive<\/dt>\n
Age of Iron<\/strong>, (typescript, 81 pp.) Three acts. 7W 7M 4M\/W Chorus.<\/dd>\n
The Girl Who Swam Forever<\/strong>, Revised draft, 1\/03\/97 (typescript, 31 pp.) One act. 2W 2M. Synopsis<\/a>.<\/dd>\n
Now Look What You Made Me Do<\/strong>, (typescript, 36 pp.) One act. 5W 4M 1G. Synopsis<\/a>.<\/dd>\n
Urban Tattoo<\/strong>, (typescript, 81 pp.Working draft (typescript, 16 pp.). One act. 1W. Productions: Native Voices in New York, August 1996; Women in View Festival, Vancouver, BC, February 26 and March 1, 1998. Production notice<\/a>.<\/dd>\n
Other publications<\/dt>\n
“The Unnatural and Accidental Women”. Canadian Theatre Review<\/strong> no. 101 (Winter 2000): 53-88.<\/dd>\n
“The Age of Iron” (excerpt). Taking the Stage: Selections from Plays by Canadian Women.<\/strong> Ed. Cynthia Zimmerman. Toronto: Playwrights Canada Press, 1995.<\/dd>\n
The Unnatural and Accidental Women.<\/strong> Vancouver: Talon Books, 2005.<\/dd>\n
Burning Vision.<\/strong> Vancouver: Talon Books, 2003.<\/dd>\n
“Age of Iron.” In DraMetis: Three Metis Plays.<\/strong> Penticton, BC: Theytus Books, 2001. Pp. 192-273.<\/dd>\n
Articles, Reviews, Links<\/strong><\/dt>\n
Gilbert, Reid. “‘Shine on Us, Grandmother Moon’: Coding in Canadian First Nations Drama.” Theatre Research International<\/strong> 21, no. 1 (1996): 24.<\/dd>\n
Hopkins, Zoe Leigh. “Well-Written, Well-Performed Tragic Tale.” Rev. of The Unnatural and Accidental Women<\/em> Raven’s Eye<\/strong> 4, no. 7 (November 2000): 7.<\/dd>\n
Lin, Brian. “Tuning into Humanity with Burning Vision.” Rev. of Burning Vision.<\/em> Raven’s Eye<\/strong>5, no. 1 (April 2002): 8.<\/dd>\n
Gilbert, Reid. Marie Clements’s The Unnatural and Accidental Women<\/em>: ‘Denaturalizing’ Genre.” Theatre Research in Canada\/Recherches Theatrales au Canada<\/strong> 24, no. 1-2 (2003): 125-46.<\/dd>\n
Read, Jennifer. “Marie Clements’s Monstrous Visions.” Canadian Theatre Review<\/strong> no. 120 (Fall 2004): 19-23.<\/dd>\n
“Museum Commissions Metis Playwright.” American Indian Report<\/strong> 20, no. 5 (February 2004): 5.\n<\/dl>\n
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Coatlicue Theatre Company<\/h4>\n<\/dt>\n
Hortensio Colorado, Elvira Colorado<\/dt>\n
Chichimec<\/dt>\n
Plays in the Archive<\/dt>\n
Open Wounds on Tlalteucli<\/strong>, 16 Scenes. 30 pages. 2W.<\/dd>\n
Open Wounds on Tlalteucli<\/strong>, New World Theatre, Amherst, MA, October 1994. Videorecording.<\/dd>\n
Other publications<\/dt>\n
1992 Blood Speaks. In Contemporary Plays by Women of Color: An Anthology<\/strong>, Ed. Kathy A. Perkins and Roberta Uno. London: Routledge, 1996. Pp. 82-89.<\/dd>\n
A Traditional Kind of Woman: too Much, Not ‘Nuff.<\/strong> 1994.<\/dd>\n
1992: Blood Speaks.<\/strong> 1992.<\/dd>\n
Huipil.<\/strong> 1993.<\/dd>\n
Coyolxauhqui: Women without Borders<\/strong> 1990.<\/dd>\n
La LLorona (The Wailing Woman).<\/strong><\/dd>\n
Tlatilco (The Place Where Things Are Hidden)<\/strong><\/dd>\n
“Issues of Race and Class.” In International Women Playwrights: Voices of Identity and Transformations.<\/strong> Proceedings of the First International Women Playwrights Conference, October 18-23, 1988. Ed. Anna Kay France and P. J. Corso. Metuchen: Scarecrow, 1993. Pp. 173-88.<\/dd>\n
Address<\/strong><\/dt>\n
Coatlicue Theatre Company
\n85 Kenmare Street
\nNew York, NY 10012
\n(212) 431-1666<\/dd>\n
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Cooper, Baba<\/h4>\n<\/dt>\n
Blackfeet, Sioux, Oneida<\/dt>\n
Plays in the Archive<\/dt>\n
The Gathering<\/strong>, Two acts. 72 pp. 8W 1M plus dancers. The Gathering Synopsis<\/a>\n<\/dl>\n","protected":false},"excerpt":{"rendered":"

Arkeketa, Annette Otoe-Missouria Tribe of Oklahoma and Muscogee Creek Plays in the Archive Hokti HOKTI has been performed by the Tulsa Indian Actors’ Workshop, Tulsa, Oklahoma, and the Thunderbird Theatre, Haskell Indian Nations University, Lawrence, Kansas. Ghost Dance: Play In…<\/span><\/p>\n

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