Head’s Up: On the 20th Century

To those of us of “a certain age,” the 20th century seems like yesterday. But to Miami students, and increasingly to Miami faculty, it is an era worthy of historical research.

This presents something of a challenge for Special Collections as we try to provide primary resources to scholars and students. It is no accident that the richest concentration of holdings in most academic special collections lies in 19th century materials; partly because that is when many larger academic institutions established libraries and began collecting, partly because 19th century industrialization led to a boom in printed materials, and partly because those materials were being withdrawn from active collections during the past century when most rare book and special collections departments were being organized. Nineteenth century and earlier holdings were the first “pickings” for these new departments.

This content provides rich fodder for such 19th century interests as the Civil War sesquicentennial last year and the Dickens bicentennial this year, and for a wide range of scholarly pursuits. But what of the 20th century? And particularly, the late 20th century?

At Miami we have scattered 20th century holdings of primary resources, some quite rich, but the time period has been largely incidental to the subject. With very few exceptions most are pre-1950. The Libraries in general are very strong in 20th century secondary materials and provide access to many primary materials increasingly available online. But when we in Special Collections receive requests for post-World War II primary resources, we are largely at a loss.

It seems clear now that the 20th century will be seen as the end of the era of print culture, much as the mid-15th century is seen as the beginning, and this will be reflected in what we collect. Just as we have a few scattered examples of pre-Gutenberg documents, we will have a few scattered examples of early 21st century transitional digital documents. Perhaps as the digital age comes into sharper focus we will develop appropriate means to document literary processes and historical events — the Library of Congress famously began archiving Twitter — but if academic libraries are involved in these endeavors the techniques will be very different than our current operations. For now, at least, it seems that the focus of Special Collections will be on documenting human print culture, 1450 – 2000.

So will the 20th century be the last great collecting area for Special Collections libraries? If so, now is the time to be looking for those primary resources — diaries, letters, manuscripts, posters, scrapbooks, photographs – that document the final years of the pre-digital world for scholars in the 21st century and beyond.

Elizabeth Brice
Assistant Dean for Technical Services and
Head, Special Collections & Archives

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From the Stacks: Polydore Vergil’s Anglicae Historiae (Basel, 1534)

Rediscovered recently during a cataloging project, this 16th century gem of a volume is Polydore Vergil’s Anglicae historiae (History of England) printed in Basel, Switzerland in 1534 by Johann Bebel.  Vergil, an Italian historian, was commissioned directly by King Henry VIII to chronicle England’s past from the ancient past through the early Tudor dynasty and ending with the beginning of Henry VIII’s reign in 1509.  Portraits of Polydore Vergil (ca. 1477-1555) and his patron, Henry VIII (1491-1547), are shown below.

The book itself is a typical folio volume of the early sixteenth century, printed on cotton rag paper with wide margins and woodcut ornamentation.  The printer’s device (a styilized palm tree) appears at the middle of the title page and on the verso of the final leaf.  Over 600 pages, this hefty volume has a contemporary leather over wooden board binding, with  decorative blind stamping and ruling on both front and back covers and surviving evidence of metal and leather clasps that once held the book closed.  Bookbinders in this period often  used manuscript waste, sometimes several centuries old, in their binding structures to strengthen the spine and as endpapers.  This volume has manuscript waste pages with decorative initial letters used as front and back paste-down endpapers.  The verso of the back paste-down endpaper (which has come unglued from the back board over time) is shown here.

A book often has more than one story to tell and this one is no exception.  In addition to the origins of the text itself and the fascinating details of the book as artifact, the provenance of the book also tells its own tale.  This book was once owned by Thomas Osborne, the first Duke of Leeds, (1632-1712) and could be found in the library at the Osborne family estate, Kiveton Hall, in South Yorkshire.  The volume has both the manuscript shelf-mark of the Kiveton library (seen in first image) and the armorial bookplate of Thomas Osborne dated 1701 pasted on the verso of the title page.  Thomas Osborne, who at the time was known as Lord Danby, was one of seven leaders of the Glorious Revolution who issued the famous invitation in 1688 to William of Orange to claim the English throne from the deposed Stuart king. Seen below are the bookplate, a contemporary portrait of Thomas Osborne, and an engraving of Kiveton Hall (which was demolished in the early 19th century).

Today, this regal volume printed almost five hundred years ago, with links to illustrious (and infamous) English kings and dukes, is housed in the Walter Havighurst Special Collections at Miami University.  It’s just one of many early print treasures in our rare book collections.  Come explore our collections…you never know what you’ll find!

Kimberly Tully
Special Collections Librarian
tullykk@miamioh.edu

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“In a fir tree; all day long,
 cracking nuts, it sings a song” : Russian squirrels of Special Collections

As I was looking through materials for the exhibit on Russian children’s book illustration, I came across a surprising number of squirrels in the illustrations. One of the images is now on most of the promotional materials for the exhibit.

The most famous squirrel, chosen by illustrators for its ability to crack golden nuts and sing songs, is the magical squirrel in Pushkin’s “Tale of Tsar Saltan, of His Son, the Glorious and Mighty Knight Prince Guidon Saltanovich, and of the Fair Swan-Princess.” The squirrel was given to Prince Guidon by the Swan-Princess, a magical creature herself.
“…There, beneath a fir–behold!–
Cracking nuts all made of gold,

Emeralds left and right a-flinging,
Sat that wonder-squirrel, singing:
‘Through the garden there she goes,
Tripping on her dainty toes.’
With its tail the squirrel sweeps
Shells and stones in tidy heaps,
While a charmed and happy throng
Listened to the squirrel’s song…”
(Translated by Louis Zellikoff)

Other squirrels, usually red and with long tassels on their ears, come from much later animal stories or appear as a small detail of a larger forest scene. These are just a few examples of the large and beautiful Russian squirrel population in Special Collections. Please, come enjoy the many visual interpretations of their magical and mischievous character.

 

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From the Stacks: Please Plant This Book

The Walter Havighurst Special Collections is home to over 65,000 volumes, manuscripts and archives. Some of the volumes are rare, some are unique; all are special in some way. All of us who work in Special Collections develop attachments to certain books in the collections, for a variety of reasons; perhaps because of an elaborate cover, or because of memories that a book triggers, or because of the provenance of a particular volume. The reasons are as varied as the individuals who work here.

One of my favorites is a small volume of poetry by an author that I discovered in late 1971. Richard Brautigan was a poet, short story writer and novelist with a unique imagination. The Dictionary of Literary Biography wrote that “Brautigan is commonly seen as the bridge between the Beat Movement of the 1950s and the youth revolution of the 1960s.” I had discovered some Brautigan books on a friend’s bookshelf and soon had read most of his published work. I was excited when I found Please Plant This Book in Special Collections many years ago because this was one book of his that I had not read. It is a collection of eight poems, each written on a seed packet filled with seeds. It was published in 1968 with a note on the back cover that states: “THIS BOOK IS FREE. Permission is granted to reprint this book by anyone as long as it is not sold.” Some of the author’s thoughts about this publication are expressed in the poem on the package of Shasta Daisy seeds.

SHASTA DAISY

I pray that in thirty years passing
that flowers and vegetables will
water the Twenty-First Century
with their voices telling that they
were once a book turned by loving
hands into life.

The text of this book can now be found easily on the web, with interactive sites displaying the individual poems, but in the 1970’s this volume was difficult to track down. It is nice to be able to see the book in its original format. Other poems/seeds in this volume are: Squash, Sweet Alyssum Royal Carpet, Parsley, Lettuce, California Native Flowers, Carrots and Calendula. Some printings of this book have planting instructions on the reverse side of the seed package. Our copy does not.

Please peruse our new website, or check the Library’s catalog, to explore the collections of the Walter Havighurst Special Collections. Perhaps there is something here that will capture your imagination.

Jim Bricker
Senior Library Technician

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Caring for Your Personal Collections

As a preservation librarian I am often asked what people can do to preserve their own personal treasures. Whether the item is valued for monetary, historical, and/or sentimental reasons, knowing the proper ways to care for your materials will ensure that they are around for years to come.

Correct storage of your materials is the single most important factor in their preservation. You should avoid storing important items in areas such as basements, attics, and garages, which are susceptible to fluctuating temperatures and high levels of moisture. A cool, comfortably dry area is ideal. It is important to store your items in a stable environment. While specific types of items have ideal temperatures and humidity levels in which they thrive, more important than specifics is consistency. Fluctuations in temperature and relative humidity can cause more damage to items than a slightly higher or lower, but consistent temperature and humidity level.

Light damage can also be a problem when trying to preserve important materials. You should avoid storing books and other items in direct sunlight, as this can cause rapid and severe fading. Artificial light can also be a problem; items should not be exposed to constant bright lights.

Do not wrap books and other materials in newspaper or store them in cardboard boxes. Acidity from the paper and boxes can leach into the materials and cause them to break down over time. Also avoid wrapping items in plastic, as this prevents good air circulation and can promote the growth of mold and mildew. Protective enclosures and boxes for storing fragile items can be purchased from several suppliers (see links below).

Periodically check for pests, such as insects or rodents, where your materials are stored. These pests will eat their way through your treasures if given the chance. Keeping the materials and storage area clean and free of dust will help keep these pests away.

Most books should be shelved upright, supported by bookends when needed. Larger, heavier volumes are best stored flat. When removing books from the shelf do not pull on the top of the spine, instead push the book to each side in to remove the book. When being used, do not force the book to open or lay flat; instead let the book open naturally, without any added pressure. If the book is especially stiff or fragile, support foams can be used to cradle the open book.

Paper items should also be stored flat and unfolded. Paper items can be stored in acid free folders. The use of pressure sensitive tape on books and papers should be avoided. The tape will degrade over time and can cause permanent disfigurement and embrittlement of the paper. If items are in need of stabilization or repair, it is best to seek the help of a professional conservator.

Ashley Jones
Preservation Librarian
Miami University Libraries
513-529-2887
Jonesab2@miamioh.edu

Links for additional information:

Your Old Books
Library of Congress
American Institute for Conservation
Library of Congress – Photographs
Library of Congress – Digital Materials
AIC – How to choose a conservator
AIC – How to find a conservator
Gaylord Archival Supplies

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“The first thing I did was ask for Shaw’s address.”

In 1944 Mexican playwright Rodolfo Usigli took advantage of a wartime trip to England to make contact with one of his idols, British playwright George Bernard Shaw. Usigli’s account of their ensuing correspondence and eventual meeting is the subject of You Have Nothing to Learn From Me: A Literary Relationship Between George Bernard Shaw & Rodolfo Usigli. Previously published only in Spanish, it has been translated into English for the first time and given context by Professor Emeritus Ramón Layera and Assistant Librarian Katie Gibson, with a foreword by Professor Kerry Powell.

The Miami University Libraries is pleased to present this work as its most recent publication, for sale through the Walter Havighurst Special Collections, home of the Rodolfo Usigli Archive. You can also purchase a copy of Usigli’s best-known play, The Impostor, translated into English by Dr. Layera. Please see our Publications page for additional information, or better yet, stop by Special Collections to pick up your copy and consider the variety of other intriguing publications available.

Elizabeth Brice
Assistant Dean for Technical Services and
Head, Special Collections & Archives

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